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Painting/Drawing (for majors) - PADR
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Courses in this Department
Painting/Drawing (for majors) - PADR
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20 Drawings
500 Drawings
Advanced Drawing with Hammers(Sketchbooks and Actualization)
Advanced Elements of Observation
Advanced Figure Drawing
Anatomy and Authored Form: LifeDrawing at the Nelson-Atkins Museum
Anatomy for the Artist
Anatomy of Observation
Celebratory Drawing
Critical Making In Public Spaces
Cultivation: Drawing IntentionalRelationships with Plants
Drawing (Conjuring)
Drawing Systems
Drawing the Time Image
Drawing Through Collaboration
Drawing Through Color
Drawing Through Lens, Stylus, andScreen
Drawing Where We Are
Drawing with the Figure
Drawing: Abstraction Today
Drawing: Language & Perception
Ecstatic Drawing
Elements of Observation
Figuration: The Self Again
Figurative Sculpture Drawing atFig Sculpt Draw at Nelson
Figure Drawing
Figure Drawing Advanced
Figure Drawing DO NOT USE
Figure Drawing DO NOT USE
Figure Drawing in the "GrandManner"
Figure DrawingDO NOT USE
Finding Restrictions
From Collage To Montage
From Perception to Arcadia,The Landscape as Constructed Form
Indirect Drawing and Authored Form
Interdiscipinary Drawing
Life Painting
Life Painting: The Coldstream Report
Life Sculpture and Figure Drawingat the Nelson-Atkins Museum of Art
Material Matters
Meta-Drawing
Methods and Materials: Contemporary Approaches To Classical Ideas
Moving In Moving Out
My Body, Their Body, Our Body
Non-Linear Narrative
Occupied Space
Play
Portrait and Figure Drawing
Portraiture and the Self
Public Private
Radical Optimism: The Art of Possibility
Recon
Referencing the Landscape
Research/Drawing
Special Topics in Painting:
Special Topics in Painting:
Systems and Sustenance
Text and Image
The Built Model
The Digital Line
The Drawing Book
The Gap
Topics in Advanced Life DrawingStructural Anatomy and Sculpture
Upper Division Anatomy of Observation
Upper Division Elements of Observation
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Painting/Drawing (for majors) - PADR
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Courses in this Department
20 Drawings
500 Drawings
Advanced Drawing with Hammers(Sketchbooks and Actualization)
Advanced Elements of Observation
Advanced Figure Drawing
Anatomy and Authored Form: LifeDrawing at the Nelson-Atkins Museum
Anatomy for the Artist
Anatomy of Observation
Celebratory Drawing
Critical Making In Public Spaces
Cultivation: Drawing IntentionalRelationships with Plants
Drawing (Conjuring)
Drawing Systems
Drawing Through Collaboration
Drawing Through Color
Drawing Through Lens, Stylus, andScreen
Drawing Where We Are
Drawing the Time Image
Drawing with the Figure
Drawing: Abstraction Today
Drawing: Language & Perception
Ecstatic Drawing
Elements of Observation
Figuration: The Self Again
Figurative Sculpture Drawing atFig Sculpt Draw at Nelson
Figure Drawing
Figure Drawing Advanced
Figure Drawing DO NOT USE
Figure Drawing DO NOT USE
Figure Drawing in the "GrandManner"
Figure DrawingDO NOT USE
Finding Restrictions
From Collage To Montage
From Perception to Arcadia,The Landscape as Constructed Form
Indirect Drawing and Authored Form
Interdiscipinary Drawing
Life Painting
Life Painting: The Coldstream Report
Life Sculpture and Figure Drawingat the Nelson-Atkins Museum of Art
Material Matters
Meta-Drawing
Methods and Materials: Contemporary Approaches To Classical Ideas
Moving In Moving Out
My Body, Their Body, Our Body
Non-Linear Narrative
Occupied Space
Play
Portrait and Figure Drawing
Portraiture and the Self
Public Private
Radical Optimism: The Art of Possibility
Recon
Referencing the Landscape
Research/Drawing
Special Topics in Painting:
Special Topics in Painting:
Systems and Sustenance
Text and Image
The Built Model
The Digital Line
The Drawing Book
The Gap
Topics in Advanced Life DrawingStructural Anatomy and Sculpture
Upper Division Anatomy of Observation
Upper Division Elements of Observation